Genesis, a photographic homage to our planet in its natural state. Sebastião Salgado is one of the most influential photographers in our time and his broad range of photographic projects, have been a foundation in realism photography and photojournalism. In 1970, at the age of twenty six, Salgado placed his eyes over the viewfinder of a camera for the first time and would never see the world the same again. “I looked through a lens and ended up abandoning everything else.” As a young economist, Salgado was infatuated by the natural world and the destructive nature of human beings in their own socio-economic conditions. This highly influenced his future career as a photographer and inspired his first two major photographic projects; ‘Workers’ and ‘Migrations’. Salgado became physically sick due to him photographing too much death and destruction. So much so, that his doctor told him if he didn’t stop, he would die. “He says ‘You are not sick. What happened was you saw much death, you are dying. You must stop. Stop!’” In the early 90’s, Salgado returned to his home in Brazil and decided to try and heal the world by undoing some of the damage. By 2003, his charity single handedly restored almost 50% of the rainforest in Brazil. In 2004 Salgado picked up his camera for the first time in almost a decade and began to photograph the world as though it had been untouched by economic growth. This project became Genesis. His photos are incredible aesthetically and I’ve learned a lot of technical skills from Salgado, but ultimately and most importantly, my lessons from him lie in ethics.