Since I started doing still image as opposed to moving image, I have been extremely interested in studio portraiture. My biggest inspiration for this genre of work is Man Ray. His lighting skills are second to none. As a modernist photographer, he liked to use light to distort his images. Pre-modern portraits were typically painted to make the subject look powerful. However, Man Ray uses his camera to shoot them looking vulnerable. He wasn’t afraid to show the world something different, which is something I will carry with me throughout my professional career. A journalist once asked Man Ray how he lit his subjects, and he replied with ‘I can’t remember.’ As foolish as this is, it’s also brilliant as it teaches you to experiment. It also makes his photographs unique.